A series of rapes causes a stir in a German university town. A special commission led by senior public prosecutor Schildt and detective Gawilek investigates. After months of surveillance, everything points to a chaplain as the masked perpetrator, known as "Zorro". But the investigators were wrong, because "Zorro" strikes again when the chaplain is in custody. This time, charges were also filed. But not against "unknown", but against the son of the senior public prosecutor...

Jan Hinrichs is an experienced ship and salvage inspector. After the bankruptcy of his last employer, however, he is not above working as a simple diver. The widower has two children to support and soon a third eater is on board, as his daughter Lena is pregnant. The only problem is that Hinrichs is 55 and, in the eyes of the shipowners, too old for this job that requires bones and fitness. And so he pretends to be 10 years younger at a job interview. He falsifies his diving book and gets himself a fake passport. The world wants to be deceived. Now things are suddenly working out: Hinrichs does his job, he does it well and his boss is happy with him - for the time being.

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Unknown assailants threaten the life of British scientist Dr. Ronald Fergusson. Only by chance does the attempt to shoot him in the street fail. Fergusson, who does not believe in police protection, hires private detective Weber for his personal safety. And time and again, the headstrong scientist makes it difficult for his bodyguard to fend off further assassination attempts. Despite being expressly forbidden to do so, he leaves the house. Full of bad suspicions, Weber looks for his client in the morgue, but Vivian, Fergusson's employee, doesn't know the dead man...

England, 19th century: Seth Pilaster runs one of the most influential banking houses in the kingdom. When Hugh Pilaster, the capable and talented youngest member of the family, realizes that he has no chance against his less talented cousin on the career ladder due to family circumstances, he tries to drown his frustration in the dive bars of London's working-class districts. There he falls in love with poor Maisie. However, as he sees no prospects for either his professional future or his love for Maisie, he first goes to America, only to return six years later as a successful banker. To make matters worse, Maisie is now married to Hugh's best friend and the balance of power has also changed fundamentally.

"Die Kinder der Flucht" is a three-part German docudrama that portrays the harrowing experiences of children and young people during the final months of World War II and its aftermath in Eastern Europe. The series weaves together dramatized reenactments, archival footage, and poignant interviews with real-life survivors to tell three distinct yet interconnected stories of displacement, survival, and resilience.

Judith, an investigative journalist, begins to unravel a murder mystery that implicates one of her current lovers. When she checks out a peep-show business on the seedy side of Hamburg as part of the investigation, she runs into a former boyfriend who used to be a psychiatrist but is now an arms dealer. Judith is lured back into his fold, cheating on her current lovers, one of whom is also a shrink. Despite her profession, or perhaps because of it, Judith tends to blend fantasy and reality, so small wonder she is attracted to psychoanalysts. But, two shrinks and a murder prove more than Judith can handle. 　　"Valie Export's third feature is an anti-romance in which the heroine, oscillating between two relationships, 　　gradually discovers that both are impossible, not because the subjective processes of "love" are defective, 　　but because the objective, social matrix in which both her male lovers operate is corrupt, immoral, murderous: 　　in this film, the male world and its power structures cancel the possibility of love beyond the matter of sexuality, 　　that is the objectification of love. Export makes use of techniques drawn from her earlier experimental cinema, 　　video and conceptual photography to expand the possibilities of narrative feature filmmaking and to disintegrate 　　some of its overdetermined conventions." 　　Video control in subway stations and in street traffic, tapes and cameras are very important 　　for the structure of the film. Mediocrity, hypocrisy and violence are the film's main themes. 　　Valie Export deals with them on private, social and media levels, adhering to the techniques 　　of video avant-garde.

A young woman finds herself ensnared by a mad scientist, thrust into the depths of a hidden laboratory where the boundary between science and perversion blurs. Subjected to harrowing experiments and “modifications,” she’s forced into a diabolical ordeal that melds terror with an unnerving twist on bodily manipulation. As the story unfolds, it descends into a whirlpool of blood, sex, and violence, capturing the essence of a nightmare that relentlessly tests the limits of the human spirit and body.

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Eva, a single mother of two children, like many job seekers before her, falls victim to a fraudster who talks her into buying a knitting machine. What initially looks like a huge flop turns out to be a real gap in the market thanks to Eva's cleverness. Shortly afterwards, she falls in love with her neighbor Jan. But dark clouds soon gather...